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Showing posts with label Sequoya. Show all posts
Showing posts with label Sequoya. Show all posts

Friday, September 21, 2012

Album Review - Beloved Binge: Pockets

Beloved Binge Pockets front

On Pockets, Beloved Binge displays a matured creativity which rends quirky lyrics and unlikely harmonies into genuine emotion, and they find an electrified zeal in the common space between the poles of pop and rock. The most colorful of these movements is the parade of genres that weave in and out of songs like Shriners on mini bikes. Mix and match arrangements high step with a confidence conjurable by only the most devotedly free minds. 80's inspired joy synth, Spanish style classical guitar, industrial metal, new wave, and indie jangle aren't only found on the same album together, they are throwing candy in the same songs. But the diverse range of genres aren't the only opposites that are found marching harmoniously here, there is a marvelous attraction between the two vocals. The fragile confidence of Eleni Vlachos' girlish squeal locks on and strides the album in a defiant harmony with Rob Beloved's graveled and charismatic dead-pan baritone. Yes, on Pockets, the opposing vocal styles and impossible genre match ups win because they succeed in occupying the same space while offering mutual respect, as if Cyndi Lauper and Iggy Pop romanced over an album without trying to change one another.

The fundamental abilities that allow this duo to compassionately mingle unlikes are found in their lifestyle. Rob Beloved and Eleni Vlachos embody warm old word bohemianism. It’s an immaculate strangeness that finds comfort in the gathering of all things that contrast. These habits direct their music toward extremes and then enjoy the curious juxtapositions once connected. It’s as if parts and pieces of songs were held up to one another on their hangers and stared at in the mirror...only those which didn't match were combined. These themes play out from front to back of Pockets and offer a dramatic window into the creativity of Beloved Binge.

Applauding the diversity of style and genre doesn't do justice to the aesthetic of the sound however and it’s most important to note that the result of all these mash up's is a fun pop record that delivers hook after singable hook. The mutual respect between pop and rock can only happen because both sides are at their best here. Vlachos owns pop and has its rhythm and melody gleaming beautifully. Beloved is a rocker and his arrangements on the six string are complex, interesting, and deft. For a duo of writers to reach so far into their soul and return with the truest elements of their persona and then form them into defendable pop music places Pockets close to self-actualization for Beloved Binge, and close to perfect for all of those standing on the sidewalk dazzled as it parades by. --Carrboro Ninja

The Pockets parade pulls up to The Pinhook at 117 W. Main St in Durham on Saturday Sept 22, 2012 for a record release party, which is triple billed with record releases from Billy Sugarfix, whose EP Carousel offers smooth, chiming, vintage instrumentals accentuated by charismatic baritone vocals...and (E)O(T) from Ellertronic, a lesson in electronic ambient 8-bit pop from local folk heroes Bonnie Pivacek (Sequoya) and David Zielinski (All Your Science). Additional theatrics will be performed in the form of improv comedy. This description was scraped from the New Town Drunks who offer their guitar player Roberto Confressi as one of the actors; "During the Beloved Binge set, there will be several short improv acts based the 70's show Three's Company."

Beloved Binge Pockets back

Friday, February 11, 2011

Show Review: Joy in Red, Illbots, Fujiyama Roll at BSC

Matt Yearout, Joy in Red
Broad Street Cafe, Durham
Feb 5, 2011


Humbly reserved and unassuming while plucking the bass and oooh'ing back-up harmonies from three steps to the left and two steps to the back of the spot light that catches tender folk singer Bonnie Pivacek in their acoustic duo Sequoya, the alter ego of Matt Yearout angles toward a darker energy when illuminated at the front of the stage for his shocked and jarred anti-folk side project Joy in Red. Those understanding the calming character of his normal supporting role stood in witness to an opposing degree of animation found in his stage persona leading the charge at Broad Street Cafe last Saturday night. As if possessed by a discontented spirit pushing and pulling him into a conflicted world where a simple mountain born folk banjo is forced by the hand of a hot tube driven Vox guitar amp, Yearout viciously cracked and whipped simple and alert folk songs until they became twisted and desperate.

The Joy in Red Yearout is mechanized by the suspense driven forces in their writing, and he's not alone. The sheepish Dr Jekyll banjo is provoked and prodded into the biting snarling Mr. electrified Hyde by a devilish six string found in the shadows cackling gleefully at its successful undoing of the lord's Appalachian folk. Wielding this staff is none other than lovable bohemian Rob Beloved whom is most famous as the guitar half of Durham's off-kilter indie pop duo Beloved Binge...and with Proteus character shifts defining Joy in Red, we are free to understand Beloved as a juiced and dynamic stage force creating hooks and riffs that pulse life into their songs. Bewitched signature song "Mama's Milk" is as hauntingly captivating as it is alarmingly dramatic and the heavy undercurrent that pushes the log jam down river is a frighteningly pronounced rhythm delivered by Beloved's bright and sanguinary electric guitar handling. Seen again as the prime mover in the obsessively addictive "Flash Flood" ...Beloved's ability to craft lucidly spellbinding guitar arrangements underneath Yearout's eruptive song creates a mezmorizing forty-five minutes of performance.

Measuring the successes of their first year as Joy in Red, Yearout and company earned the headliner spot Saturday night playing late to a Durham proper eclectic billing of J-pop Fujiyama Roll and Roanoke slap-stick hip hop Illbotz. The exotically alluring Junko Berglund introduced her opening act quite matter-of-factly and commenting in true-form J-pop stylized "ro-ken-roll" accent, gave thanks to the Durham underground music scene before ripping through a set of geisha girl style indie jazz rock fusion.

The Jim Carey of hip hop, Stevie D of Roanoke's Illbotz delivered the song and stage version of their blushingly hilarious youtube library of music videos. Illbotz can be taken seriously for not taking it seriously and they borrow (and occasionally steal) from old school hip hop and rap turning every verse into a one-liner. The music videos of their songs are nothing short of late-night cable TV variety show satire quality and Illbotz on stage at Broad Street Cafe was riotous.

Broad Street wound down with its own tradition of all the late nighters hauling each others gear to open trunks in the parking lot, making plans for next shows and deciding where to after party. Cosmic Catina was the destination and Roanoke might be the next stop. --Carrboro Ninja

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Joy in Red
Joy in Red
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Joy in Red
Joy in Red
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Joy in Red
all smiles left to right: Stephanie Hodges, John Smith of Somerset Frisby, Melissa Smith, Rob Beloved, Elinie Binge, and I *think* that's Joe Rizzo of Sawteeth McTweedy on the far right facing away

Joy in Red
lazer tag, I won


Fujiyama Roll
Fujiyama Roll
Fujiyama Roll
Fujiyama Roll
Fujiyama Roll
Fujiyama Roll

Illbotz
Illbotz
Illbotz
Illbotz
Illbotz
Illbotz
Illbotz clowning birthday boy Matt Yearout

Illbotz

Secret Carrboro Ninja Patrol recommends
"Illbotz Rock The Spot And Go Crazy " on YouTube

special moments:
"Are you kidding me" at 2:30
"Nickleback LOL" at 4:21
"Shake yer belly meat" at 4:46

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