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Showing posts with label Once and Future Kings. Show all posts
Showing posts with label Once and Future Kings. Show all posts

Wednesday, June 6, 2012

FTW - The Cribs @ Motorco - Magnolia Collective @ 506

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The Cribs @ Motorco Friday 6/8
The dazzling breadth of Motorco's main stage will hold one of the indy rock's most under valued bands Friday night as Yorkshire's The Cribs play Durham. By sheer will power alone The Cribs have maintained their indy street cred amidst a series of albums which are so pop singed and mass appeal ready that lessor bands would have succumbed to pressure and sold out mainstream long ago (see KoL). Durham tips a hat to that. The Cribs are touring in support of their most recent effort In the Belly of the Brazen Bull. Fight the good fight, The Cribs, ...fight the good fight. We'll be there watching.

LiLa, The Bronzed Chorus @ The Pinhook Wednesday 6/13
LiLa's indy beats are fresher that Juan Valdez' own cup of morning coffee. LiLa is infectiously hip and their performances motivate entire audiences into dance frenzy. Witness what the Durham underground hip hop scene looks like.

Triangle Rhysing: Music for Massed Guitars @ Nightlight Thursday 6/14
All I know about this is that 30 members of my favorite local bands were asked to bring their guitar, an amp, and a distortion pedal. Included are guitar players from Beloved Binge, Battle Rockets, Once and Future Kings, Horseback, Veronique Diabolique, Boat Burning...be ready for a wall of sound.

Magnolia Collective, Driftwood @ Local 506 Friday 6/15
Magnolia Collective and Driftwood redux their Americana proper down home folk rock show which we first loved when the two bands met on stage earlier this Spring at Motorco. Pennsylvania's driftwood is best known for their sweetly spun stories of the bygone era, but its the emotional violin of Claire Byrne that does most of the singing. Magnolia Collective represents their home town well with catchy pop rhythms reproduced for a cooler crowd on folk rock instruments.

Thursday, April 28, 2011

Album Review: Once and Future Kings - Dead Lions

Once and Future Kings Dead Lions

Masked and just out of reach for visual recognition, the characters in this album recant the turbulence of a life spent with feelings pasted on sleeves and answers sought in extremes. Relaying their fractured stories across a seven track journey of darkened classical dramas, joys found in a vacuum, and life lessons painstakingly remembered...the bolder the story becomes, the more distant and unreachable our protagonists fade. We are made to feel the weight of their conscience and we find empathy in their struggle, but its difficult to place a thumb on just what is going wrong here, and to whom it has gone wrong.

Standing with chins up and hands down next to the piano ambitiously reciting the soaring harmonies in "Twenty Watts", we are first introduced to these doted genteels as they voraciously devour nods of approval and stares of jealousy as sustenance desperately fueling a heartbeat well in excess of what is needed to survive as contented and balanced. They exude both intimidation and vulnerability in the same expression, signals that are interpreted with fascination, sorrow, and pure attraction.

Their becoming smiles and able manners find you no reason to discount their nature, still an eye is kept keenly upon them rather than not. "Say Hello" follows along to the high school dance where our experience halts at the edge of the floor as theirs haphazardly closes eyes and careens into slow dance dreaminess chasing disco lights across the floor. Wildly belting choruses they claim to have known-it-all-along singing out a rebellious cautionary tale of memory distortion which wasn't found so fitting in the proper surrounds of the albums earlier tracks. The plot thickens.

Observations now lend to beliefs that our story is being colored with a brush filled on a palate different to the one used for the base coat, thusly we are readied for the melodrama heart ache of "Stick Together". The veil now lowered enough to see sparkling eyes and with the album at its midway point, the most profound electric guitar statement of the collection rips asunder the song's refrain and bleeds the poison from the story's long lost lovers. A quiet turning point in the story, a kink in the armor, their enemies rejoice as their admirers level expectations. Closely following is "Test the Waters" with an offer that it can be just as calm after the storm. Steps from here are taken on a slightly downgraded slope and trade an uneasy excitement of the unknown for gnawing realization that the only thing imperfect souls can do in an imperfect world is "put one foot in front of the other" ...and try not to look too far back. The aftermath was predictable from the beginning and solace is found in that not much has changed, they are still out of reach, and the heart beat of their ambition is still deafening.

Our next chapter begins the true tragedy of the tale, the beginning of the end, and the slow revelation of faces for our characters. "This Goes On" is the first itch under the eye, the first sniffle briskly smudged away with a blunt wipe from the back of a hand, the first finger jabbed deep in the corner of the eye vainly attempting to stifle welling tears. "This Goes On" begins the unwinding of these for whom we have followed and sorrowed. Fragile bones now showing through softened skin return that a life spent in turmoil takes a toll even upon the strong. And as the drum marches along with heavy hearted minor chords and the melody exhales toward finality, the procession parade of "I Drink From a Drip I.V." latches a ragged tether and pulls closed a tall curtain. Only in this final measure are we granted closure on whom we have watched and loved through this markedly troubled opera of emotions, as laying before us now unmasked and naked upon the cold ground of the final scene...are Dead Lions. --Carrboro Ninja



post script
Once and Future Kings' Dead Lions can be streamed and downloaded for free at the album bandcamp page. The official release of Dead Lions will be celebrated Saturday April 30 2011 at Slims in Raleigh. Pecosa supports. 10 pm.

Wednesday, October 27, 2010

Album Review: Where The Buffalo Roamed - A Wolf in the Works

Where the Buffalo Roamed

With sweeping narrations of the big sky American West and the socially removed yet complacent inhabitants surviving there, A Wolf in the Works is written and performed as an epic. Wonder filled plot lines and deeply drawn characters are thrashed about in a storm of reverberated electric guitar and washy drums producing a color pallet of imagery for places and times long forgotten by anyone except those who remain to gather the pieces of personal tragedies. Derived from a station wagon odyssey with his family across the sun drenched western plains as a teen, North Carolina native son Corbie Hill wrote the album not from personal experience, but as a near fiction biography of the ghosted personalities he either encountered or drove by in bewilderment of what life stretched between two mesas must feel like.

Track five "Isolation" most precisely embodies this intention as its forlorn victims lament "we don't check the mail any more, and I'm going to sell my guitar. It hasn't been played since nineteen eighty-seven." The lyrics alone are enough to send a knot to your throat but the truest emotion is derived from the tracks near mechanical, toothy, and hardened chord progressions which grind from start to end like the eternal specter of the song's subjects, caught between thought and action. The breadth of the track's range is as expansive as the time capsuled plains it sets stage in and echos the finality of a life spent in isolation. Track two "Missouri" is a run away favorite for its sheer story telling worth alone. The clouds are drawn and a foreboding shadow cast with the opening drama inducing lines while a simple two chord rhythm angrily simmers from Hill's guitar. So full of visual cues that you are cast into its dreamscape to experience first hand the punishment of both its villians and victims alike, so drugged with distortion bent guitar that you could just as easily glaze over and pretend evil only exists on the news. "Crossing the Missouri" deviates from the faded and reflective candor of the album in favor of a gritty and saturated blues rock riff stomping with enough attitude that Jack White might even take notice if it passed him by.

The album has the look and feel of lo-fi tempered recording, but the right pedal effects, drum fills, and backing instruments plugged in at all the right places prove that Where the Buffalo Roamed spared no effort in production. The writing is penetrating with no shortage of emotional moments and no loss for guitar licks to emphasize them. This is a true to form garage rock album built the way garage rock is supposed to look and heard the way its supposed to sound. --Carrboro Ninja


post script
Where The Buffalo Roamed plays this Friday October, 29th 2010 at Sadlack's 2116 Hillsborough Street Street next to NC State campus along with Battlestar Canada and Once and Future Kings. Show time is 7 PM and free.

Where the Buffalo Roamed

Wednesday, August 5, 2009

Thank You Nashville, We Accept

Once and Future Kings

Once and Future Kings at Nightlight in Chapel Hill
July 27, 2009


Audience side of the Nightlight stage Once and Future Kings had just occupied with crunchy vintage amps and a hand full of microphone stands I listened to the first few songs and began to contemplate things which are nearly as polished as they; my dad's special occasion pair of size 13 cordovan wing tips, the cobble at the bottom of high mountain Colorado river head waters, the trick paint on Xzibit's Gumball 3000 Lamborghini Gallardo. My mind was drifting a bit too far for a Monday night so I switched gears and contemplated things that become this polished suddenly and without anyone noticing a little wax on wax off; blank. My first impression of Once and Future Kings was upon a recommendation to listen to their myspace stream and my reaction was, "these guys are from Raleigh? How have I missed this?" We are accustomed to talent here in our own little world of indie rock and half the fun is watching it develop from course raw ability to shimmering polished and shiny. With a 5k strong myspace networking list, a big boy studio wrapped EP on the merch stand, and style so tightly developed that one may misinterpret them as a touring band from Oxford or Brixton, Once and Future Kings have spent their time polishing the raw talent in Nashville, and have been sent here to show off the shine. Thank you Nashville, we accept.

Once and Future Kings' five song EP Emergent Sea is a daisy of studio work and the calculated production they bring to the stage is a heavy balance between their sound booth heroics and a dimly lit concert hall. To shine on, Once and Future Kings looks beyond the standard of a band showing up to run through their songs and seeks to bring alive and set free the spectacular Brit-pop sound that was captivated in the studio. They set free a heavy footed American Telecaster to stalk the composition and dramatically emerge at the refrains to shock seize and devour. They let loose a rare second main vocalist mic to route through a pumped mids effects loop in compliment of lead singer Jesse's painstakingly precise vocals. Their live show deftly maneuvers foot switch effects and processors to free sound that took hundreds of thousands of dollars worth of studio gear to put on a CD. The map that these guys followed through the studio has lead them to the stage. The road signs may be different, but the key at the bottom is the same.

Once and Future Kings closed the night with a crowd of fifty gathered around the stage pointing video cameras and iphones. Those fifty were the same who opened the show with high expectations and the grin of those who know something no one else does. Once and Future Kings embraces their new found friends with a full line-up of fall shows including two local releases of Emergent Sea. Their next planned show will be at Metro Cafe in Raleigh on Thursday August 27th. --Carrboro Ninja

view their profiles: myspace reverb nation blogger

additional reading about these guys on DECKFIGHT: http://www.deckfight.com/2009/07/king-me-once-and-future-kings-mon-727.html

Images:

Once and Future Kings

Once and Future Kings

Once and Future Kings

Once and Future Kings

Once and Future Kings

Once and Future Kings


ninja still art returns!
Once and Future Kings

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