Lizzy Ross and The Magnolia Collective at The Station's Americana Revue

The Station at Southern Rail, Carrboro
May 27, 2010

If it wasn't for the occasional necessity to slip down into a Lucinda Williams style push-pull grit, Lizzy Ross could spend an entire set tip-toeing through upper air of her powdery soft falsetto. With a range so at home and comfy in the thin frequencies of the upper atmosphere, even her more honky tonking tunes like "Wedding Cake" can pass for hushed ballads. Though her silver tongued vocals have the strength and confidence of a prowling tom cat, her songwriting reveals the occasional country-girl soft spot. Stripped down by nature and Americana by arrangement, Lizzy's lyrics are a fluent interpretation of the heart break tempered joy that swirl around young love. Early into the evening the slowly unspooling rhythm and easy spirit of "Maria" congealed the stage with the audience who swayed to Lizzy's Taylor guitar whispering sweet nothings in their ears.

Lizzy Ross' sweet shop brand of roots music served up in the traditions of country soul was the perfect musical ethos for the stage last night at The Station at Southern Rail's newly christened monthly Americana Revue Night. Set to re-occur on the second Thursday of every month beginning June 10, The Station at Southern Rail is hosting free concerts showcasing local folk, alternative country, and roots rock acts as a celebration for the deep well of local talent creating music in this space as well as their expanding base of Americana thirsty followers.

Carrboro being a music town's music town...it will come as no surprise that there is also an interesting and unique twist on the night. While the event will present a different local headliner every month, a loosely gathered recurring cast of local folk and roots artists will always open the show. Representing as the house band and coined "The Magnolia Collective" this group pulls it's base members from Gambling the Muse, The Pneurotics, and The Whiskey Smugglers and in delightful fashion, it will also include guest members from previous headliner bands who appeared on the revue to shape into an ever evolving and always interesting ensemble.

Booking for The Station at Southern Rail Americana Review Night is nearly set for the summer with June 10 finding three piece string trio The Sinful Savage Tigers' mandolin seared acoustic romps and modern, urgent, and inspired Americana song writing on stage at the revue. --Carrboro Ninja


more images from The Station at Southern Rail's Americana Revue yesterday

Lizzy Ross





The Magnolia Collective





16 image slide-show of Lizzy Ross and The Magnolia Collective along with 1600 pixel down load-able jpegs

EP Review: Actual Persons Living or Dead

On their self titled release, Actual Persons Living or Dead presents a soft studio side which is a comfort that this three piece Durham garage rock confederacy seems to have saved back especially for the days and nights in the recording booth. Standing in a dimly lit house party living room on a hot August night two years ago, a modest group of Durham underground rock connoisseurs watched Actual Persons flex their strong arm of marchy drums, hot riff driven electric guitar, and despondently honest vocals as Joyce, Dave, and Kerry rolled up their sleeve and debuted a rocked up mix of emo garage punk. Live shows since then have delighted in following suit and assure many rockus head bobbing moments through the course of their set. Surprising then, that the first track of this release departs from classic garage rock style and trips toward a comfortable haze of chimes and mood interlude sounds for a solid minute before even hinting that you are listening to a rock album. The slow build of the first track's instrumental opening vibe followed by guitar in the middle and pointed vocal outtro serves as metaphor for the disc's six songs which are tracked for the same flow. Hints of the one-two punch build up are given early into the second song "Dogtown Commons" as the dense resounding of earthy and broad guitar work move across the track like a heavy freighter parting deep water through a sound. Prominently positioned guitar tone becomes a common theme from this point on and vocals are used late in the songs and only when the guitar has already said everything that needed to be said. The EP rounds out with the guilty pleasure of the re-purposed 1983 Cyndi Lauper cult classic "She Bop". Subliming the eeriness on an already darkened track, Actual Persons bleeds the pop out of "She Bop"...slowly transfuses emo vengeance back in, and re-animates it as a sanguine specter of it's former shape now possessed to serve as a vessel communicating the sobriety of emotions found within the album. From the sparse early arrangements of "Turkish Bloomers" to the hazy illusions of happiness drawn on a canvass of heartbreak in "...Or It's A Bunny" this EP is comfort food for the guitar hungry and Actual Persons serves it up for breakfast, lunch, and dinner across the album.

A free download of this EP sans "She Bop" is at the Actual Persons Living for Dead bandcamp profile. The EP in CD format with album art and the "She Bop" bonus track is available for a hand shake at live shows.

Actual Persons Living or Dead plays the Eskimo Kiss Records showcase at the Soapbox in Wilmington, NC for WE Fest this Sunday, May 30 2010.

For more on the Eskimo Kiss (goodbye) showcase, please click through to Deckfight

album art

Show Review: Rat Jackson, The Pneurotics

Triangle Brewery, Durham
May 15, 2010

Accessible by Mark Twain romantic figures drifting down the Durham Railroad Street right-of-way via boxcar and by SUV driving Durham city street going realists alike, the Triangle Brewing Company's "Pub Crawl Training Session" held this past Saturday afternoon at the oaken bar between the fermenting tanks and grain stores at their brewhouse was an oasis of entertainment in a desert tempered city-scape of warehouses and silence. The Twains need only jump off a slow rolling coal car and hop the brewery's low slung wooden fence to be where the wind blew them. Everyone else illegally parked on the sidewalk up the hill from the brewery and followed the succession of Sharpie written posters each one reassuring that beer and live music would be rewarded should they steep deeper into the corridors of the factory grounds. Rounding the corner of the thirty foot tall barn like structure there was rejoicing that the scene was not a mirage. Just beyond the taco truck parked in the gravel drive busily serving a couple hundred sun bathed trainees was the raised concrete loading dock now in rock-show-stage configuration with amps lining the back wall, microphone stands fencing the front, and a lively bunch moving in and out of the brewery sampling its taps.

The event not only show cased a fabulous line up of micro brews brought to life on the very premises but it served as as hot spot for The Pneurotics bass player Mimi McLaughlin's rock and roll birthday party and a stage where micro brew sipping party goers stole a few glimpses into Rat Jackson's soon to be new release. As Rat Jackson geared up and got into their set I was standing next to a few out of towner guests and offered commentary who/what Rat Jackson is. Drawing from the previous impressions that their high energy riff running and drama educed refrain story's made, I began my comments. "These guys bring it. They are indie rock meets rock-a-billy." It was just about then that my ears were tuned to an entirely more articulate presence bouncing off the factory walls...one of Rat Jackson's new songs. In a momentary caesura of commentary I noted that the happy beat scale climbing that defines their character and sells-out PBR was sheered back on this one. A longer more purposeful driving guitar rhythm showed through and the largely underrated lead guitar player Steve Oliva was taking the strings to places a lot of people had never been. The glimpse was enough to build upon the anticipation for their album, re-excite my impressions of who/what Rat Jackson is and look at Steve Oliva a little differently than before.

As the Rat Jackson crew finished up, moved into the crowd, and continued the business of sampling micro brews...The Pneurotics' Chris, Mimi, and Lucifer took the stage to finish things. It was dusk by then and in the haze of contentment I almost missed the distant whistle sounding for me. Skirting edge of the crowd I met the low slung wooden fence and hopped over it...wind blowing softly at my back. --Carrboro Ninja